In the 17th-18th century, a regional branch of traditional Indian painting was forming a new form in the capital of Bihar state of Patna and surrounding areas, which was recognized as Patna Pen.In fact, the artists of this genre are Mughal painters There were only those who were forced to flee because of the dislike of painting of Aurangzeb and its subsequent rulers. These artists were oriented toward emerging innovative centers like Patna and developed it as the center of their art. These painters settled permanently in areas such as Lodi Katra of Patna, Dewan Mullah, Nityanand's well and mosquito nets.
Painters of Patna Pen started working on commercially demanding pictures according to market demand. These paintings were purchased by the foreign merchants and people of Patna's elite group at that time very much. The interests of the kings were of greater importance in portraits or images, and in flowers and birds, while the interest of foreigners was on the basis of Western culture, tradition, festival-festival, There was more in straw, customs, and industry. They had two opinions behind the formation of such paintings, with a heavy culture and tradition, their nick Relatives wanted to introduce and second, Indians backwardness, By promoting poverty and bad business conditions, it is easy to make money flow from India by gaining the sympathy of the entire European heritage. In this type of painting, a complete album of pictures was prepared in accordance with the theme as a flick set. Some writers class in foreigners People used to use these pictures as illustrations of their books. For example, published in 1826 In the book "The scenery and costumes Arkitekcr" of Ton Grindle get used indiscriminately these pictures.
Diversity of the story is the main identity of the Patna style.The painters of this style wanted to take away every moment of life, every color and every sensation on their canvas. The world was falling short of their imagination. Teachshar or madarasa, id Whether or not Holi, Mel or Pooja, cremation or burial, Dance music, Orchestra was going on with the right of their rights. Women's Homework, Market View, Shops, Even here The sadhus were the centers of special attraction. The family members were not untouched by them either; hairdressers, dhobi, porter, kahar Bhaishti, Chavadar, servant, darwan, artisans, blacksmith, weavers, potter, carpenter, julah, kite makers, comers and sangatraas were included. All kinds of games, games and tunes The instruments were found in these pictures.
Diversity of paintings of Patna Pen has become a matter of surprise and compliments for the art observers. The painter has broken the medieval rudiments of readiness for the legacy of the Mughal imperial painters. Where in Mughal painting the princesses, war, hunting, Raga-Ragini, Barhmasa etc. was portrayed in a grand form, while Patna came to Patna and made life of its art of normal life. Two pictures of the pen are still in safe mode; One, "Ragini Gandhari" created by Mahadev Lal in Patna Museum and secondly, "Ragini Todi" produced by Madho Lal, which is now in Khuda Baksh Oriental Library in Patna.Ragini Gandhari Pictures The heroine is sitting in front of the furrow in the currency of Virahini, Dark blue has been used in the sky to intensify the depression of the widest.Longed dog sedimentation further enhances the dullness of the mind. In the ragini smash, the artist has displayed the Virhini heroine for the harp.Syam Deer Shabak Kamal Tal Apart from this, the picture of Muslim marriage created by Shiv Lal, the painting of Begum of Yamuna Prasad is extremely adorable is.
Patna pen painter has mostly made his paintings on paper, ivory and asbestos.Here, the use of dark colors is used. The dark color is more helpful in raising and attracting the subject.The color is mostly of stone, grass, flowers and trees The flowers were made from barks; yellow from flower of kusum, red from green shirts, reddish lazard, and blue ink was made from black. For the construction of the gulhir poonch, buffalo The pear and hair used was used. Paper hand made or Nepali bust was a paper or a European drawing papers. The images were directly crafted on paper and the colors were filled.
Painters of Patna Pen started working on commercially demanding pictures according to market demand. These paintings were purchased by the foreign merchants and people of Patna's elite group at that time very much. The interests of the kings were of greater importance in portraits or images, and in flowers and birds, while the interest of foreigners was on the basis of Western culture, tradition, festival-festival, There was more in straw, customs, and industry. They had two opinions behind the formation of such paintings, with a heavy culture and tradition, their nick Relatives wanted to introduce and second, Indians backwardness, By promoting poverty and bad business conditions, it is easy to make money flow from India by gaining the sympathy of the entire European heritage. In this type of painting, a complete album of pictures was prepared in accordance with the theme as a flick set. Some writers class in foreigners People used to use these pictures as illustrations of their books. For example, published in 1826 In the book "The scenery and costumes Arkitekcr" of Ton Grindle get used indiscriminately these pictures.
Diversity of the story is the main identity of the Patna style.The painters of this style wanted to take away every moment of life, every color and every sensation on their canvas. The world was falling short of their imagination. Teachshar or madarasa, id Whether or not Holi, Mel or Pooja, cremation or burial, Dance music, Orchestra was going on with the right of their rights. Women's Homework, Market View, Shops, Even here The sadhus were the centers of special attraction. The family members were not untouched by them either; hairdressers, dhobi, porter, kahar Bhaishti, Chavadar, servant, darwan, artisans, blacksmith, weavers, potter, carpenter, julah, kite makers, comers and sangatraas were included. All kinds of games, games and tunes The instruments were found in these pictures.
Diversity of paintings of Patna Pen has become a matter of surprise and compliments for the art observers. The painter has broken the medieval rudiments of readiness for the legacy of the Mughal imperial painters. Where in Mughal painting the princesses, war, hunting, Raga-Ragini, Barhmasa etc. was portrayed in a grand form, while Patna came to Patna and made life of its art of normal life. Two pictures of the pen are still in safe mode; One, "Ragini Gandhari" created by Mahadev Lal in Patna Museum and secondly, "Ragini Todi" produced by Madho Lal, which is now in Khuda Baksh Oriental Library in Patna.Ragini Gandhari Pictures The heroine is sitting in front of the furrow in the currency of Virahini, Dark blue has been used in the sky to intensify the depression of the widest.Longed dog sedimentation further enhances the dullness of the mind. In the ragini smash, the artist has displayed the Virhini heroine for the harp.Syam Deer Shabak Kamal Tal Apart from this, the picture of Muslim marriage created by Shiv Lal, the painting of Begum of Yamuna Prasad is extremely adorable is.
Patna pen painter has mostly made his paintings on paper, ivory and asbestos.Here, the use of dark colors is used. The dark color is more helpful in raising and attracting the subject.The color is mostly of stone, grass, flowers and trees The flowers were made from barks; yellow from flower of kusum, red from green shirts, reddish lazard, and blue ink was made from black. For the construction of the gulhir poonch, buffalo The pear and hair used was used. Paper hand made or Nepali bust was a paper or a European drawing papers. The images were directly crafted on paper and the colors were filled.
