Role of Bharatendu Harishchandra in Indian National Movement
India's national movement was the result of British-Indian encounter. It was born from traditional fervor, which was a socially active level of attachment to land, language and cult. In any slave country, national consciousness is the next step in the development of the Renaissance. The sense of independence struggle in India arose from the pressure of English imperialism. National consciousness developed as an all-India reaction against the All-India pattern of English exploitation.
Increasing racial tension, fear of conversion and reformist enthusiasm of benthic administrators forced the educated Indians to take a look at their culture by staying there. Vernard Cohn called it 'Imitation of Culture', from which the learned Indians formulate their culture as a solid entity, which can easily be quoted, comparable and used for special purposes. This new cultural project, which, in the meanwhile, was expressed through the social and religious reforms of the nineteenth century, its word was rooted in Renaissance. 2. Its aim was to purify Indian culture and to rediscover it in such a way that it was rationalism, , Match the European traditions of homogeneous and individualism. The Bharatiya civilization is not inferior to the Western civilization in any way, Rather, he is superior to his spiritual accomplishments. In this sequence, Bharatendu Harishchandra presented Hindi literature as the basis of the Renaissance. He used to raise questions frequently in the meetings and seminars held in order to propagate Hindi that he (how the British rulers and how we became ruled)
As a poet, playwright, essayist, writer and novelist, Bharatendu Harishchandra introduced his great creativity. The publication of 'Harishchandra Magazine', 'Harishchandra Chandrika', 'Poetry Sudha', has been published for a long time and through them the people have communicated the national sentiment. Bharatendu knew well that organizational work was essential for the revival of nation, Indianism and the public. He not only composed himself, also composed his own authorship, which included Balkrishna Bhatt, Pratap Narayan Mishra, Badrinarayan Premnath, Srinivas Das, Radhacharan Goswami etc. Bharatendu completed the entire movement of language, literature, society, nation, religion, art and culture, at many levels, with many tasks. It is an important fact of Ram Vilas Sharma that Bharatendu Harishchandra has recognized the cultural needs of his subjects. He has written literary Hindi,
The main characteristic of Bharatendu's poetry is an expression of national sentiment. Before this, the sense of nationalism had only recently received expression. Guru Gobind Singh and Bhushan spoke of the nation, but their nationality could not rise above ethnicity and principality. For the first time, Bharatendu presented a picture of an all India in Tatugune poetry. In his plays, in the prose or in the poetry, Bharat's glorious tradition has been praised on one hand and on the other hand the importance of unity and integrity of the entire nation has been expressed. While he created journalism as a medium of national uplift and socio-political consciousness, his plays have been striving for mass consciousness. Vedic violence, no violence, fierce criticism on social-religious maladies. The poisonous exploitation system of the Britishers and the monastic situation of the Indians is illustrated in the poison-poisoning. 'India Malfunction',
Bharatendu gave a sharp edge to the national freedom movement in Hindi belt. As a result of his political consciousness, the flow of patriotism and patriotism flowed. The great revolution of India in 1857 was at that time when Bharatendu was born. This first national freedom struggle had been crushed by infinite subordination force, the British were everywhere in the winning currency. Company rule on India had come to an end, the emperor Victoria's rule was over. At this time, Bharatendu presented great patriotism in the cover of patriotism. Over time, Bharatendu's approach also changed. Initially, he wrote the supreme poem of Rajbhakti, pleased with the policy of secularism of the British, the declaration of Queen Victoria, etc. But later he strongly opposed the policies of the British policies.
Bharatendu has funded the collapse of India, which Dadabhai Naoroji has called 'Indian poverty' is closely watched. In search of the reasons for this, they fought hard against the Victorian values. In response to the criticism of the English people, against the English education, in front of the question of criticism of the Anglologists, such as the language progression (the origin of all languages), Charles Grant, Bharatendu gave the widow marriage as the reason for the downfall of Indian nationality. Identifying marriages, unmarried marriage, caste discrimination, separatism, communalism, untouchability and drinking, and in their clear and derogatory style, Tigers attacked strongly. Bharatendu knew well that the root cause of India's misery was the imperialist expansionist policy of the British and the economic exploitation of India. At the time when Dadabhai Naroji, RC Dutt, Mahadev Govind Ranade and Communication Kaumudi, Dialogues, And Ananda Bazar Patrika etc. had lifted the movement of money from India as an agitation, at that time Bharatndu used to take his plays through the 'Bharat Maldhas' and 'Ander Nagari' in the form of poetry. To understand the meaning of the British presence in India, it is not necessary to understand the nuances of the economy and the principles of imperialism. He called it straight as a poem.
The national unity of social unity can not be imagined. Bharatendu and the poets of their division, therefore, first tried to establish social unity through social reform efforts. Greater socialism is nationality itself. Development of social brotherhood and fraternity is essential for the development of national spirituality. Under the guise of religion, the feeling of hateful communalism, casteism and untouchability was being promoted. To oppose such untouchability, Bharatendu considered it necessary to oppose such religion. Bharatendu noticed that after the rebellion of 1857, the movement of the national movement was flowing in the Indian public, but the biggest obstructive element in it was communalism. Imperialists adopted a differentiating policy to keep Hindus and Muslims separate, So that all Indians could not be organized and their exploitation and Daman Chakra continued uninterrupted with complete peace. Political leaders were promoting national conscious unity. But in the origin of communal goodwill, the demand for national unity was only stronger, no one paid any attention to coordinating Hindu-Muslim at the social and religious level. In the absence of communal solidarity, our national movement would be disintegrated. 6 Bhartendu explained socially communal significance to the people and encouraged everyone to join the national movement and by saying 'all the religions are not right principles and ideas' By abandoning communalism and fanaticism and adopting tolerance and generosity, motivating them to be in power. Nobody has paid attention to coordinating Hindu-Muslim at the social and religious level. In the absence of communal solidarity, our national movement would be disintegrated. 6 Bhartendu explained socially communal significance to the people and encouraged everyone to join the national movement and by saying 'all the religions are not right principles and ideas' By abandoning communalism and fanaticism and adopting tolerance and generosity, motivating them to be in power. Nobody has paid attention to coordinating Hindu-Muslim at the social and religious level. In the absence of communal solidarity, our national movement would be disintegrated. 6 Bhartendu explained socially communal significance to the people and encouraged everyone to join the national movement and by saying 'all the religions are not right principles and ideas' By abandoning communalism and fanaticism and adopting tolerance and generosity, motivating them to be in power.
Thus, Bharatendu lit the mashal of National Jagaran through Hindi literature. Use your letters, essays, plays, prose and poetry as a tool for this. Looking at the degradation of the country, Bharatendu tried to make the present progressive through past glory. He wrote openly on topics such as untouchables, widow marriage, unmarried marriage, women's personality etc, to teach him critically. He wrote 'Nari Mal Sam Sam Hohih' and wrote 'Hindu Politics' books on democracy. 7 Bharatendu used all forms of poetry to awaken national consciousness in India.
Reference Bibliography
, C.A. Bailey, Origin of Nationality in South Asia, Oxford University, Press, New Delhi, 1998, page 79 -
Shekhar Bindopadhyay, from Palasi to Partition, Orient Longman Publication, Hyderabad, 2007, pp - 228
Ramvilas Sharma, Bharatendu Harishchandra, P. 121
Girish Rastogi, Andher Nagari, Rajkamal Prakashan, New Delhi, P.P.L.
Gautam, Modern India, Rajasthan Academy of
Television , Jaipur, P. 757-58 Hukumchand Rajpal, History of Hindi Literature, Vikas Publishing House Pvt. Ltd., New Delhi, P. 187-88,
same Girish Rastogi, Andher Nagari, Prakalakal Publication, New Delhi, pg-12
India's national movement was the result of British-Indian encounter. It was born from traditional fervor, which was a socially active level of attachment to land, language and cult. In any slave country, national consciousness is the next step in the development of the Renaissance. The sense of independence struggle in India arose from the pressure of English imperialism. National consciousness developed as an all-India reaction against the All-India pattern of English exploitation.
Increasing racial tension, fear of conversion and reformist enthusiasm of benthic administrators forced the educated Indians to take a look at their culture by staying there. Vernard Cohn called it 'Imitation of Culture', from which the learned Indians formulate their culture as a solid entity, which can easily be quoted, comparable and used for special purposes. This new cultural project, which, in the meanwhile, was expressed through the social and religious reforms of the nineteenth century, its word was rooted in Renaissance. 2. Its aim was to purify Indian culture and to rediscover it in such a way that it was rationalism, , Match the European traditions of homogeneous and individualism. The Bharatiya civilization is not inferior to the Western civilization in any way, Rather, he is superior to his spiritual accomplishments. In this sequence, Bharatendu Harishchandra presented Hindi literature as the basis of the Renaissance. He used to raise questions frequently in the meetings and seminars held in order to propagate Hindi that he (how the British rulers and how we became ruled)
As a poet, playwright, essayist, writer and novelist, Bharatendu Harishchandra introduced his great creativity. The publication of 'Harishchandra Magazine', 'Harishchandra Chandrika', 'Poetry Sudha', has been published for a long time and through them the people have communicated the national sentiment. Bharatendu knew well that organizational work was essential for the revival of nation, Indianism and the public. He not only composed himself, also composed his own authorship, which included Balkrishna Bhatt, Pratap Narayan Mishra, Badrinarayan Premnath, Srinivas Das, Radhacharan Goswami etc. Bharatendu completed the entire movement of language, literature, society, nation, religion, art and culture, at many levels, with many tasks. It is an important fact of Ram Vilas Sharma that Bharatendu Harishchandra has recognized the cultural needs of his subjects. He has written literary Hindi,
The main characteristic of Bharatendu's poetry is an expression of national sentiment. Before this, the sense of nationalism had only recently received expression. Guru Gobind Singh and Bhushan spoke of the nation, but their nationality could not rise above ethnicity and principality. For the first time, Bharatendu presented a picture of an all India in Tatugune poetry. In his plays, in the prose or in the poetry, Bharat's glorious tradition has been praised on one hand and on the other hand the importance of unity and integrity of the entire nation has been expressed. While he created journalism as a medium of national uplift and socio-political consciousness, his plays have been striving for mass consciousness. Vedic violence, no violence, fierce criticism on social-religious maladies. The poisonous exploitation system of the Britishers and the monastic situation of the Indians is illustrated in the poison-poisoning. 'India Malfunction',
Bharatendu gave a sharp edge to the national freedom movement in Hindi belt. As a result of his political consciousness, the flow of patriotism and patriotism flowed. The great revolution of India in 1857 was at that time when Bharatendu was born. This first national freedom struggle had been crushed by infinite subordination force, the British were everywhere in the winning currency. Company rule on India had come to an end, the emperor Victoria's rule was over. At this time, Bharatendu presented great patriotism in the cover of patriotism. Over time, Bharatendu's approach also changed. Initially, he wrote the supreme poem of Rajbhakti, pleased with the policy of secularism of the British, the declaration of Queen Victoria, etc. But later he strongly opposed the policies of the British policies.
Bharatendu has funded the collapse of India, which Dadabhai Naoroji has called 'Indian poverty' is closely watched. In search of the reasons for this, they fought hard against the Victorian values. In response to the criticism of the English people, against the English education, in front of the question of criticism of the Anglologists, such as the language progression (the origin of all languages), Charles Grant, Bharatendu gave the widow marriage as the reason for the downfall of Indian nationality. Identifying marriages, unmarried marriage, caste discrimination, separatism, communalism, untouchability and drinking, and in their clear and derogatory style, Tigers attacked strongly. Bharatendu knew well that the root cause of India's misery was the imperialist expansionist policy of the British and the economic exploitation of India. At the time when Dadabhai Naroji, RC Dutt, Mahadev Govind Ranade and Communication Kaumudi, Dialogues, And Ananda Bazar Patrika etc. had lifted the movement of money from India as an agitation, at that time Bharatndu used to take his plays through the 'Bharat Maldhas' and 'Ander Nagari' in the form of poetry. To understand the meaning of the British presence in India, it is not necessary to understand the nuances of the economy and the principles of imperialism. He called it straight as a poem.
The national unity of social unity can not be imagined. Bharatendu and the poets of their division, therefore, first tried to establish social unity through social reform efforts. Greater socialism is nationality itself. Development of social brotherhood and fraternity is essential for the development of national spirituality. Under the guise of religion, the feeling of hateful communalism, casteism and untouchability was being promoted. To oppose such untouchability, Bharatendu considered it necessary to oppose such religion. Bharatendu noticed that after the rebellion of 1857, the movement of the national movement was flowing in the Indian public, but the biggest obstructive element in it was communalism. Imperialists adopted a differentiating policy to keep Hindus and Muslims separate, So that all Indians could not be organized and their exploitation and Daman Chakra continued uninterrupted with complete peace. Political leaders were promoting national conscious unity. But in the origin of communal goodwill, the demand for national unity was only stronger, no one paid any attention to coordinating Hindu-Muslim at the social and religious level. In the absence of communal solidarity, our national movement would be disintegrated. 6 Bhartendu explained socially communal significance to the people and encouraged everyone to join the national movement and by saying 'all the religions are not right principles and ideas' By abandoning communalism and fanaticism and adopting tolerance and generosity, motivating them to be in power. Nobody has paid attention to coordinating Hindu-Muslim at the social and religious level. In the absence of communal solidarity, our national movement would be disintegrated. 6 Bhartendu explained socially communal significance to the people and encouraged everyone to join the national movement and by saying 'all the religions are not right principles and ideas' By abandoning communalism and fanaticism and adopting tolerance and generosity, motivating them to be in power. Nobody has paid attention to coordinating Hindu-Muslim at the social and religious level. In the absence of communal solidarity, our national movement would be disintegrated. 6 Bhartendu explained socially communal significance to the people and encouraged everyone to join the national movement and by saying 'all the religions are not right principles and ideas' By abandoning communalism and fanaticism and adopting tolerance and generosity, motivating them to be in power.
Thus, Bharatendu lit the mashal of National Jagaran through Hindi literature. Use your letters, essays, plays, prose and poetry as a tool for this. Looking at the degradation of the country, Bharatendu tried to make the present progressive through past glory. He wrote openly on topics such as untouchables, widow marriage, unmarried marriage, women's personality etc, to teach him critically. He wrote 'Nari Mal Sam Sam Hohih' and wrote 'Hindu Politics' books on democracy. 7 Bharatendu used all forms of poetry to awaken national consciousness in India.
Reference Bibliography
, C.A. Bailey, Origin of Nationality in South Asia, Oxford University, Press, New Delhi, 1998, page 79 -
Shekhar Bindopadhyay, from Palasi to Partition, Orient Longman Publication, Hyderabad, 2007, pp - 228
Ramvilas Sharma, Bharatendu Harishchandra, P. 121
Girish Rastogi, Andher Nagari, Rajkamal Prakashan, New Delhi, P.P.L.
Gautam, Modern India, Rajasthan Academy of
Television , Jaipur, P. 757-58 Hukumchand Rajpal, History of Hindi Literature, Vikas Publishing House Pvt. Ltd., New Delhi, P. 187-88,
same Girish Rastogi, Andher Nagari, Prakalakal Publication, New Delhi, pg-12
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